The need to differentiate between structural and functional aspects of the psychology of art …
Psychology of art is a complex issue, and this description serves only as an introduction to the field of “development” of the study. Psychology is the basis for many aspects of life and art for art or expression of any kind, in particular, through sculpture and painting is also based on psychological theories and understanding. The relationship between psychology and art is almost inevitable, and there can be no art without the knowledge of himself, and vice versa. The artist begins with a blank canvas that is / are the projects being or psychological needs, and keep art as a medium for the projection of this type. And therefore may be the best definition of art as a medium through which an artist or creator of individual projects of their feelings and frustrations and deeper psychological needs. This is linked to a complex art as a means of psychology. However, the psychology of art as a system can not find an official recognition of the scale, and only recently gained popular in Western universities.
Psychology of Art is the only large field study, by analyzing the essence of creativity, and offers an explanation of the mental processes of the artist in particular, and the creation in general. Interestingly, so far, and the psychology of art is not only to understand the mental processes of the artist, but also the mental processes involved in the perception of art. Thus, the psychology of art is able to explain and understand the phenomena of the processes of creativity and the artist’s mind and thought processes of consciousness. It is comprehensive in its approach, not only for its range of interpretation, but also because the psychology of art is the interpretation of the different branches of psychology such as perception of Gestalt psychology, psychology in terms of shape and complexity function / system, psychoanalysis and Jungian psychology and experimental psychology care, as well as a symbol of Freud.
Psychology of Art is a multi-disciplinary, and successfully integrating art, architecture and philosophy (metaphysics and phenomenology), aesthetics and the study of consciousness and visual perception, and psychoanalysis. The philosopher John Dewey to psychoanalyst Carl Gustav Jung thinkers influenced the 20th century emergence of the psychology of art, which seems to go beyond the processes of the artist’s mind to include the process of creation and also conceived the study of art views biological, social, psychological and philosophical. Young Dewey and both influenced the study of art in social and cultural contexts and largely responsible for understanding art in its current form.
It is clear that art is the creative process, and therefore the process of deep psychological. Can also be interpreted with the theory of art as a process of perception and knowledge. Gestalt theory of visual perception provides one explanation of all the creation of art and perception. Gestalt psychologists, theorists of the 20th century who studied systematically the cognitive processes in humans and some that are famous Gestalt Wolfgang Kohler, Kurt Koffka, Max Wertheimer and Kurt Lewin. Principles of perception, as contained in the Gestalt psychology focuses on the communication or the proximity and similarity, continuity, closure, or the region / symmetry, shape, and the floor.
So the Gestalists description of perception as a process that involves not only the object but also in the context of what is affected by the perception of things around these objects to Gestalt, things are always “more than the sum of its parts. The art is also in the first place for the display and the perception of any object of art based on the principles of Gestalt as well, and we tend to look to the continuation or closure or imagined movement static objects. It has been widely used Gestalt psychology to describe and understand the “illusions.” For example, you see things that are closer together and form the group If you’ve seen some of these images that explain the principles of Gestalt, you quickly understand that it is more an art than a simple touch. art is the process of perception (including the illusion), as is the process of creation of Si. The artist creates an optical illusion successfully, it is almost like a magician. after the art had several in the study and interpretation and understanding of the gestalt of the form and structure that provides a “structural” explanation of the organizational principles of art, we must understand the “functional” characteristics of art. and it is this change in the analysis of the psychological and symbolic.
In the study of the early 20th century Sigmund Freud pioneered the art in view psychoanalysis as essentially a neurotic artist deals with stress and conflict through creative inclinations. Freud was interested in the “content” or the theme of art that reflects the inner conflicts and repressed desires of the artist and art of Freud for any psychological, and is today considered as a basis for projections of the artist and the process of thought. Freud believed that the desires of the unconscious fantasies of the artist and her inner and outer form as it appears on the canvas through art. Consequently, if the artist dreams of beautiful virtuous woman, and paint the angels in heaven as a kind of “sublimation” deeper than the Issuer. Therefore, any work of art is directly related to the artist’s world and the areas in your unconscious mind.
A school of art that the direct influence of Freud’s theory appears directly in the subconscious of surrealism, which began in the 20th century, initially as an extension of a cultural movement and Dada. Surrealism emphasizes the integration of art and life, and psychological effects on the analysis focuses on the desires of the unconscious. Jacques Lacan in psychology to the philosophy of Hegel, and was largely in the form of surrealism that philosophy, psychology, cultural changes, and was one of the most revolutionary movements in art history.
Some followers of the famous André Breton and Salvador Dalí in recent times. And in fact, can be seen as a visual representation of Dali’s work is almost centered on the analysis of Freud’s dreams, and desires of the unconscious as well as hallucinations and freedom of association. The sexual symbolism, an important part of Freud’s analysis is widely used by the Surrealists. Freud and Surrealism emphasized closer link between sexual activity madness and art, but this type of photography also met with some opposition. On the other hand, was psychoanalysis, Carl Jung, and focus on art as a form of cultural expression more acceptable to some of the artists and the young analyst remains the most influential in the history of art with a constructive image and optimistic art. , According to Jung, can be art and other forms of access to creative activity “collective unconscious”, provides a significant not only in the creative process, but also consider the cultural elements that are made through the generations. The art is in Jung’s psychology as a psychological understanding of the cultural experiences of the artists to be accessible to the wider community ….